The repertoire of this band is a mixture of my favorite lessor-known compositions of Thelonious Monk, along with modern jazz compositions that are particularly suited to the sound of the guitar.
In addition to the trio instrumentation of guitar/bass/drums, I like to combine two guitarists in the front line, turning the trio into a quartet. This is not a novelty; as each can create chordal accompaniments while the other improvises mainly single-note lines, the group sound fills out harmonically, with the combination of guitars almost sounding at times like a single instrument. It’s also a lot of fun to hear two great guitarists who love and respect each other reacting to and interacting with each other, and working to complement each other’s style.
Paul Bollenback, Khabu Doug Young, Nate Radley, guitar
Matt Clohsey, Evan Gregor, bass
Chuck Braman, drums
Pete McCann, Tom Guarna, guitar
Noriko Ueda, Thomson Kneeland, bass
A Merrier Christmas
Ask Me Now
Ba-lue Boliver Ba-lues-are
Bemsha Swing
Blue Hawk
Boo Boo’s Birthday
Brake’s Sake
Coming On The Hudson
Criss Cross
Friday The 13th
Gallop’s Gallop
Introspection
Let’s Call This
Light Blue
Misterioso
Monk’s Dream
Monk’s Mood
Played Twice
Reflections
Ruby, My Dear
San Francisco Holiday
Skippy
Thelonious
Think Of One
Ugly Beauty
Who Knows?
Work
Foolish Door
John’s Waltz
Paramour
Ralph’s Piano Waltz
Bright Size Life
Change of Heart
H&H
James
Never Too Far Away
Sirabhorn
Unity Village
Broken Wing
Nightlake
Stray
Veils
Zol
Fortunate Fall
Monica
Promise
Agua Vihno (Egberto Gismonti)
Chance (Kenny Kirkland)
Four Winds (Dave Holland)
Lonely Woman (Horace Silver)
Summer Band Camp (Mick Goodrick)
Toy Tune (Wayne Shorter)
Trumpet-Tenor Saxophone Quintet A quintet drawing inspiration primarily from the brilliantly inventive compositions of trumpeter Kenny Dorham, saxophonist Joe Henderson and others featured on classic Blue Note recordings of the 1960s.
Saxophone Quartet With a front-line consisting of saxophone and guitar, this group explores some of the most challenging jazz compositions from the 1950s, ’60s and ’70s.
Vibraphone Trio/Quartet With a front-line consisting of vibraphone, either alone (trio) or supported by guitar or piano (quartet), this group explores a mixture of standards, Brazilian, and jazz compositions that lend themselves to the sound of the vibraphone.
Piano Trio This group explores rarely-performed compositions of Bill Evans and Antonio Carlos Jobim, among other great jazz composers.
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